I decided on a whim last night to drop in to City Voices in Wolverhampton. It's a while since I've been, though I do try to attend the sister event, Bilston Voices, as often as I can. On offer we had four of the writers who contributed to the recent New Writings From Wolverhampton anthology and one former resident of Wolverhampton who now lives in Scotland and had travelled down especially for the event.
We started with Michelle Moore who read us two stories. The first, Starting Block, I recognised from the anthology. It's a short but well told tale of the pressure that can be put on children by their parents. The second was new to me and on a similar theme of childhood but more about the pressure of children's own expectations.
Second on the bill was our visitor from Scotland, Neil Ledbeater, who gave us a set of lyrically descriptive pieces. He started with a few about various aspects of nature. When he moved on to some reminiscences about his Wolverhampton childhood they were still lyrical and rather nicely observed though the poem I liked best was about the rail journey from Birmingham to Wolverhampton.
Next came Marion Cockin substituting for the absent Yvette Rose. Marion gave us the two poems from the anthology and a fairy tale told from memory. The two poems were very good but the fairy tale, though well enough constructed and well enough told, left me a little cold. It would have been completely suitable for its intended audience of young children but I prefer more complex material. Still, she had substituted at very short notice and I wouldn't be able to remember enough of my own material to put together a full set if called on to do it.
After the break Nick Pearson did a mixed set of humourous and serious poems. They were very observational about life and the surrounding world. They included his contribution to the anthology, Dwellings, and a very nicely drawn portrait of a not particularly nice coffee bar.
We finished up with, as Simon, the MC put it, "not a national treasure yet but certainly a local treasure" Win Saha who had been kind enough to come over to me in the break and tell me how much she had enjoyed my work at the performance workshop last Saturday. Her set was about half and half material I had heard before and material I hadn't. Mostly her poems were her customary clever and witty verses on all sorts of topics - from the shape of the faces of the members of the royal family to why she won't were purple. I was quite taken with the rather more sombre mood of Requiem which was especially relevant as we approach armistice day.
It was a good, mixed set and, as I feel I ought to make the effort to get along more often even though Tuesday is not a great night for me. I shall certainly be at the next one though as I am on the bill with a reminiscence about visiting the Philippines at Christmas.
See you there.
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